I kinda liked this one, though I agree the terrorist plot turned out to be a real dud (and Burr DeBenning’s overacting didn’t help). Mark Rodgers was generally a good writer of mysteries and police procedurals (he produced POLICE STORY), and I enjoyed the mystery aspect of this plot (who is Jayne Kennedy, why did they kidnap Steve, what is this mysterious group…). Setting it in L.A. must have been a relief for the location manager, but trying to pass off a Howard Johnson’s or whatever as LAX was ridiculous. Seymour Robbie’s direction was much better this week, and the action stuff was good (Carter’s stunt double was busy, busy, busy).

Finally, Lynda Carter *and* Jayne Kennedy on screen together! How did television sets not explode on contact with that much hotness at once?